Skip to main content

Revista Ceramica

Due to the unexpected death of Mr Antonio Vivas, director of Revista Ceramica and the discontinuation of his magazine, the article written by Ana Maria Asan will not be published.

Ana Maria Asan - Euphonious Ceramics, by Barbara Bunskoek

Euphonious Ceramics, by Barbara Bunskoek

KLEI Keramiek Magazine 3/2021

(…) Intuitive and experimental, my work stands all these years as a testimony for what I really am, a poet and an explorer. By having followed my vocation I became the artist that I am today and I found my right place in this changing world. (…)

The Sonorous Dimension: The SONORES Project at its 10th Anniversary by Ana Maria Asan

Infoceramica.com, September 18th 2020

(...) Only an environment favourable to thinking, where the artist’s vision is entirely respected allows people to truly experience art (...)

Exhibition Portait of Daugavpils

Glory © Harald Jegodzienski

July 2020

(…) The effects of war mean broken, ruined and traumatised lives, which are not mentioned in the panoptics provided for tourists. (…)

During the 8th International Ceramic Art Symposium, Ceramic Laboratory 2020, painter and ceramicist Harald Jegodzienski dedicated a certain time to the writing of the journal entitled Glory which is partially published on this site with his kind permission.

Ana Maria Asan - New Ceramics 4/2020

SONORES 10 & More, by Ana Maria Asan

New Ceramics, The International Ceramics Magazine, 4/2020

(…) I mentioned the journey also because the whole project was conceived as a work in progress, opened to new possibilities, in a perpetual process of questioning myself and the audience.(…)

Ana Maria Asan - New Ceramics 4/2017

Profile : ANA MARIA ASAN

New Ceramics July/August 2017

(…) Sometimes, I sneak in the Faculty of Architecture next door to follow the Art History course. Several professors impress me by their erudition and generosity. It’s also a privileged time for friendship and mind opening. (…)

13th edition of Miniartextil « To Weave Dreams »

News Gate, March 7th 2017

(text only in French)

Focus: The Body Issue / SONORES, by Ana Maria Asan

The Journal of Australian Ceramics, vol. 56 No 1/2017

(…)For me, art has the capacity to reach directly into our hearts and mind. It prompts us to reflect and it is an antidote to indifference.(…)

Transparences, by Muriel de Crayencour

L'Echo, January 26th 2013

(...) Pour compléter, l’artiste d’origine roumaine Ana Maria Asan présente ce qu’elle appelle une “tentative d’autoportrait”, sous la forme d’un très gracieux travail sur le verre. De nombreuses pièces, couchées à plat dans de petits sarcophages de bois, sont des langues de verre transparent. Le verre en fusion a été coulé sur du sable mouillé dans lequel l’artiste a marqué des formes en y appliquant un bras, un pieds, des doigts… le verre se déploie dans ce creux, marquée par quelques bulles d’air, quelques grains de sable. On y lit son corps, fragmenté. C’est d’une subtile beauté. (...)